Berlin-based techno duo Pan-Pot close out 2025 with their newest single ‘Phantaxxxy’, released on 18th December via their own imprint HUMAN.

‘Phantaxxxy’ is more than a track – it’s a full-body experience. A study in forbidden stimulation, the record unfolds like an interstellar customs seizure: leather-bound, USB-encoded, and reportedly banned on three moons for being “too suggestive for zero gravity.” Extracted from a bass-driven artificial intelligence that allegedly achieved sentience mid-breakdown in a velvet-draped server room, the track pulses with teasing tension. Slithering synths, hypnotic grooves, and a drop that practically demands a safe word place ‘Phantaxxxy’ somewhere between cosmic kink and dancefloor hypnosis.

Composed of Tassilo Ippenberger and Thomas Benedix, Pan-Pot have spent 2025 expanding their creative universe through HUMAN, a platform that exists as both label and event series. Over the past year, HUMAN has hosted events across the Netherlands, Berlin, New York, Los Angeles, and Chicago, alongside the official Street Parade afterparty in Zurich, which drew over 1.3 million attendees. The release follows a run of standout singles including ‘KALSTROM’, ‘OPERA (Street Parade Anthem)’, ‘Nightcode’, and ‘TDD’.

Launched as a new chapter in Pan-Pot’s evolution, HUMAN bridges raw techno energy with something deeper – emotional, warm, and unapologetically human. The ethos is rooted in connection, pushing past fleeting trends to place feeling back at the center of the dancefloor.

Looking ahead, the duo have announced a special all-night-long ‘Back to the Warehouse’ event on 21st February, echoing the early rave spirit of the 90s with a pounding soundsystem and a full lineup to be revealed (see ticket info here).

Set for release on 18th December ‘Phantaxxxy’ stands as one of the final statements of 2025 on HUMAN – bold, provocative, and unmistakably Pan-Pot.

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SIX40TWO powers into the end of the year with a club-ready double release: a heavyweight VIP Remix alongside acclaimed dance music titan Deniz Koyu, and an Extended Club Remix built for peak-time floors and late-night euphoria which is out now. 

‘What Would I Do’ has already carved out its place as one of SIX40TWO’s most defining records in his new sonic era – a surging vocal-led anthem fusing John Newman’s unmistakable vocals with the darker, more propulsive production sensibility of his new alias. Now, these two fresh versions reimagine the track entirely: tougher, tighter, and purpose-built for the world’s biggest stages.

A meeting of two master craftsmen at the top of their game. Koyu and SIX40TWO flip the original into a high-voltage weapon. While the Extended Club Remix brings a darker, deeper, and more expansive take – the version DJs will reach for when the night needs lifting into gear. 

SIX40TWO is the new creative chapter from John Newman. A fresh era built entirely on instinct, freedom, and his lifelong connection to dance music. Known globally for his chart-topping hits, billions of streams, and unmistakable voice, John stepped away from the spotlight in 2020 to reset creatively. In that time he rediscovered the foundation of why he started making music in the first place: DJ culture, club energy, and the thrill of producing across the electronic spectrum.

He returned with a new live show, high-powered club records, and a renewed artistic focus, leading him to dominate festival main stages with his electrifying hybrid performances. Now, Newman channels the moodier side of his club influences, blending euphoric dance energy with the gospel, soul, and sampled textures that have always shaped his sound. Unlike his hybrid or live-band shows, SIX40TWO is a pure DJ experience, designed for the rave. Following the debut single “Something In The Water” and a fast-growing schedule of shows across the UK and Europe, SIX40TWO is now emerging as one of dance music’s most exciting new identities. 

Both new versions land Friday 12th December, marking a defining moment in what has already been a breakthrough chapter for SIX40TWO.

Paris-based producer and DJ duo Chambord returns with one of their most anticipated releases to date, unveiling their bold and artful remake of Madonna’s iconic 1990 single, “Vogue”, out now via One Seven Records.

Renowned for their melodic finesse, powerful groove work, and immersive atmospheres, Chambord approach ‘Vogue’ with reverence for the original while confidently infusing their signature sound. The duo’s rework transforms the legendary track into a contemporary deep-house anthem – crisp percussion, and trance-inspired melodies that merge with attitude and elegance that made the original a defining cultural moment.

Chambord is a French DJ and producer duo from the Centre region of France. What started as a natural extension of their friendship gradually grew into a professional project, one that today reaches far beyond their hometown roots. Their music blends melodic depth, organic textures, and electronic energy, creating a sound that feels both expansive and intimate. This balance has taken them from Parisian clubs to international stages, where their DJ sets and live performances are celebrated for their fluid storytelling and dynamic range.

Recognised for their label imprint Around Midnight; a platform for forward-thinking, melodic, and experimental electronic music. Their recent release, ‘Running’ by Animal Trainer and Noah Kulaga (remixed by Nandu and Chambord), has become a summer 2025 highlight, earning support from industry tastemakers like Keinemusik, Jenia Tarsol, and Tripolism. With a growing presence on the global scene, Chambord continue to expand their artistry through collaboration, performance, and the ongoing curation of their label. Their vision remains simple yet ambitious: to share music that resonates, connects, and creates space for listeners to lose themselves whether on the dance floor or beyond.

25 years following the seminal hit, Chambord’s take on ‘Vogue’ is available on all major streaming platforms via One Seven Records.

Stream the single in full HERE

Tour Dates

7th December – Goat Community Gathering, Lisbon
12th December – Gate Club, Paris
19th December – Private Event, Madrid
28th December – Gardens of Babylon, Amsterdam
29th December – Dune Camp, Gstaad
31st December – Groove Society, Miami

The long-awaited collaboration between Smokey Bubblin’ B, Guy Burns and James Poole lands November 28th on Disorder, already championed by Chris Stussy, Patrick Topping and Jamie Jones

London-born producer and DJ Smokey Bubblin’ B continues his evolution from UKG mainstay to boundary-blurring house luminary with his brand-new single ‘Temptation’, out Friday, 28th November via Disorder, alongside producers Guy Burns and James Poole.

The track marks an exciting collaboration between the trio, brought together by their shared creative energy and genre-fluid approach to dance music. Written in just one afternoon, ‘Temptation’ sports an effortless chemistry and deep, rolling house melody infused with Smokey’s trademark garage swing. ‘Temptation’ sets the tone for the next wave of the UKG-meets-House movement.

After being played by Joseph Capriati during his Paradise closing set b2b with Jamie Jones, the track caught the attention of Chris Stussy, who has since become one of its biggest supporters. Already gaining underground traction on dancefloors across Europe, ‘Temptation’ continues Smokey’s streak of crossover success stories.

For fans of Smokey Bubblin’ B, ‘Temptation’ represents another milestone in a huge year that’s seen him release on TSZR, Higher Ground and ATW, as well as draw consistent support from the scene’s heaviest hitters including Peggy Gou, Michael Bibi, Chris Stussy, Jamie Jones, Patrick Topping, East End Dubs, Gaskin, and Archie Hamilton (famously helping ‘Poison’ go viral). His sets have soundtracked major institutions such as Boomtown, Drumsheds and Hideout , as well as a busy run of European and Australasian tour dates. Smokey’s influence continues to expand globally, with his hits ‘Poison’ and ‘Young World’ having amassed over 39 million streams combined, and viral moments which have seen his tracks featured everywhere from Fred again..’s Boiler Room to Lando Norris’ social posts.

A respected figure in both UKG and House, Smokey Bubblin’ B’s collaborations and remixes span wide from Sammy Virji and Riordan to Peggy Gou, Todd Terry, and Groove Armada cementing his reputation as one of the most versatile producers in the scene right now.

The story of Jonas Blue and Malive’s Defected smash Edge Of Desire continues with a heavy remix from one of Netherland’s finest, Franky Rizardo. After an elite summer taking over the world’s biggest stages in Paris, Ibiza, Lisbon, Madrid, NYC, Miami, Amsterdam and more, Franky Rizardo takes on the quintessential Defected record of 2025, ‘Edge Of Desire’.

Jonas Blue and Malive’s fiery house heater has continued to dominate since its release in July, with over 50 million global streams to date, consistent Shazam chart peaks and playlist support on BBC Radio 1, Kiss FM and Capital Dance. Internationally, ‘Edge Of Desire’ is still playlisted on stations across the US, The Netherlands, France, Germany, Greece and Australia while beginning its rise in South America.

As we approach the longer club nights, Franky Rizardo brings his floor filling house and techno heat to ‘Edge Of Desire’, providing DJs with a fresh club weapon and keeping dancefloors hooked well into the early hours.

Buy and listen to the full stream here

Follow Franky Rizardo:

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Belgium’s rising electronic artist Mondingo unveils ‘OVER’, the first single from SubLife Records’ forthcoming debut album, dropping 21st November. The cinematic official video directed by Booba and the recognised artist Playyard launches alongside this debut release.

A haunting yet deeply romantic track, ‘OVER’ blends ethereal vocals with organic production, inviting listeners into Mondingo’s intimate world. The track’s melodic melancholy and textural precision showcase the producer’s distinctive sound, rooted in authenticity, emotion, and sonic depth.

Armed with a master’s degree in music production and a background as a live musician for Charlotte Adigéry, Emma Bale, and Hooverphonic, Mondingo brings a rare blend of artistry and technical mastery to his work. A true hybrid creator, he bridges the energy of live performance with the precision of DJ craft; having collaborated with Romain Garcia, Nico Morano, and many more.

Founded by French rap legend Booba, SubLife Records stands at the crossroads of pop, electronic, and Afro-house; a label and creative collective redefining the sound of tomorrow. With over 70 releases to date, SubLife continues to reveal pieces of its highly anticipated first album, slated for release in early 2026. The label embodies a new philosophy: empowering visionary, cross-genre artists to push creative boundaries and craft immersive, spiritual experiences through sound and AI enhanced visuals.

Mondingo and SubLife set the tone for the exciting debut album with ‘OVER’ – a visionary sonic exploration of multi-genre electronic music.

Stream ‘OVER’ single in full HERE 

Follow Mondingo:

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Follow SubLife Records:

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Originally released in 2005, Vitalic’s debut album, OK Cowboy, is celebrating its twentieth anniversary and is being reissued in several formats (box set, double vinyl, CD, digital) featuring rare tracks and previously unreleased version.

OK Cowboy is a seminal album in electronic music, a pivotal record between eras – with the double vinyl, CD, digital releasing 14th November, and the box set version to follow on 5th December.

In the early 2000s, France firmly established itself on the electronic music map. French Touch had conquered the planet in just a few years. However, this movement, essentially house disco, was already beginning to lose steam. Originally underground, this scene had been courted by multinational record companies, and productions labeled “French Touch” were now flooded radio stations and record store shelves. The innovative spirit of the movement gradually disappeared, and it was from the underground that another wave would emerge. While the original French Touch was based in Paris and Versailles, a new generation of artists arrived from all over France. Like Miss Kittin & The Hacker in Grenoble, David Carretta in Marseille, or Vitalic in Dijon. These producers invented a new sound, rawer, more electro, more rock.

Active on the techno rave scene since the mid-1990s under the alias Dima, Pascal Arbez-Nicolas became Vitalic with the release of Poney EP, his debut maxi-single, in 2001. A dazzling and daring maxi, Poney EP notably contains the title “La Rock 01″ which quickly became a hit in both clubs and raves. The single is an electro storm driven by a metronomic rhythm on which dense and menacing synth layers fall. The French magazine Les Inrockuptibles spoke at the time of a track “on which Nirvana seems to collide with Daft Punk”. The title “La Rock 01” was played by many DJs (Aphex Twin, Sven Väth, Felix Da Housecat, Tiësto) and appeared on several mixed CDs, including one by Miss Kittin (On The Road) and most notably, another by Belgian duo 2manydjs, then at the height of their popularity (As Heard On Radio Soulwax Pt. 2).

The Poney EP maxi also contains “Poney Part 1” and “Poney Part 2”, two strong tracks in the spirit of “La Rock 01.” Together, these three tracks form the backbone of the OK Cowboy album. Released in 2005 by the Different label, a division of PIAS, this first album imposes Vitalic’s signature: an electro, energetic, robotic discharge, humanized by voices (his own voice, distorted through his machines). One standout example is “My Friend Dario”, the new single and another key moment on the album, with its guitar-like synths and a chorus that epitomizes electroclash. OK Cowboy also features other powerful electro/techno tracks like “No Fun” and “Newman”, driven by pounding rhythms and distorted, acidic melodies.

This first full-length album also gives Vitalic the freedom to explore a wide range of genres with his synthesizers: electronic polka (“Polkamatic”), sixties-style boogie driven by organs (“Wooo”), a pop ballad with vocoded vocals (“The Past”), seventies electronic experimentation (“Repair Machines”), cinematic synthetic soundscapes (“Trahison”), a hypnotic electroclash loop (“U and I”), and crackling drum patterns (“Valletta Fanfares”). With OK Cowboy, Vitalic showcases a vast palette of rhythms and contrasts, all in a style uniquely his own. The result is a retrofuturistic, baroque, synthetic, magical, and epic work—a landmark record in a time of transition.

During the four years between the Poney EP and the album OK Cowboy, Vitalic also established his live stature. His incendiary performances were acclaimed, from the Sónar festival in Barcelona to the Montreux Jazz Festival and the BBC in London. The release of OK Cowboy then propelled the artist onto stages across the globe—from the United States to Japan and Australia

Vitalic’s music has received very positive reviews worldwide. “Synthetic, epic, euphoric, his techno resembles a funfair,” writes Stéphane Davet in the French newspaper Le Monde. While his colleague Odile de Plas, from the same newspaper, states: “Vitalic is establishing himself as the most credible successor to Daft Punk, in terms of efficiency and unifying power.” Éléonore Colin of the French magazine Les Inrockuptibles enthuses: “Vitalic has established himself as the Wagner of BPM, the Muhammad Ali of rave.” Meanwhile, still in France, Trax magazine declares: “If electronic music were a question, Vitalic would be the answer.” Before analyzing the phenomenon: “Merging on the dance floors of clubs in a hysterical and volcanic fervor of fans of feverish pogos as well as adepts of the psychedelic loop, Vitalic has elevated the dancefloor to unsuspected heights, multiplying the energy of headbangers with the madness of techno freaks”.

The album OK Cowboy was also praised abroad. It received a 9/10 in the English magazine New Musical Express (NME), which wrote: “Vitalic is the mysterious metal disco warrior with the power to turn dancefloors into moshpits.” In the United States, the highly demanding website Pitchfork awarded the album an 8.6/10 and gave it the “Best New Music” label. The review ended with this admiring conclusion: “Vitalic made a record that’s in the same league as Homework or Discovery.”

Finally, in 2010, the English site Resident Advisor published its Top 100 albums of the 2000s. OK Cowboy was ranked at number 50, with this glowing comment: “Very few French producers can claim to have had a first album as primitively raw as Vitalic. The power of early, heavily compressed tracks like ‘Poney Pt. 1’ and ‘La Rock 01’ were so stunning it blew electroclash’s self-absorbed mind and even turned James Murphy from punk to techno.”

Beyond the glowing reviews and critical acclaim it received upon its release, the album OK Cowboy undeniably marked its era and became a classic. It perfectly encapsulated that moment in time while foreshadowing the rawer, noisier sounds of French Touch 2.0 (the new wave led by Justice and the artists of the Ed Banger label). Twenty years later, the impact and power of this landmark record still make it a defining marker of the mid-2000s—and one whose sound remains just as relevant today.

Stream ‘Ok Cowboy 20Y’ in full HERE

Follow Vitalic on socials:

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Mexican born duo The Soul Brothers are set to release their latest EP, ‘Gypsy Soul’, out now on Human By Default.

The vibrant two-track record marks their second release on Bedouin’s established imprint – following ‘Los Hermanos Del Alma’ in 2021 that featured tracks such as ‘Bella’ and ‘La Mentira’.

Gypsy Soul EP pulses with vibrant energy, blending hypnotic rhythms, rich vocal textures, and worldly sonic textures. On this journey, ‘Manea Cu Voca’ captivates with its soulful melodies and dynamic grooves, while ‘Viento Del Arena’ sweeps listeners away with airy synths and a hypnotic, desert-inspired drive.

The Soul Brothers are Mexican-born duo Daniel Muñoz and Tomás Encorrada who fuse mystical depth with vibrant energy to create a soulful, organic, and deeply textured sound. Founders of Talavera Records, they’ve built a platform supporting emerging talent while crafting their own unique, story-driven sets that blend harmony, rhythm, and cultural flair. Known for their enigmatic bond and captivating performances, they’ve played at iconic venues such as Kater Blau, Scorpios Mykonos, Heart Ibiza, and festivals including Burning Man, Art With Me, and The Monastery. Their music, infused with a rich Mexican spirit, continues to enchant audiences worldwide from Berlin to Tulum, New York to Ibiza – leaving listeners uplifted and inspired.

The brand new ‘Gypsy Soul’ EP release is a huge comeback record on Human By Default label.

Stream the EP in full HERE

Follow The Soul Brothers:

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Unveiled amidst the immersive spectacle of Cercle Odyssey, the track reflects a meditative evolution in Kalkbrenner’s sonic journey—an ode to techno’s timeless pulse.

Following a landmark return after 7 years, with his latest album ‘The Essence’, Paul Kalkbrenner makes his highly anticipated debut on Cercle Records with his new single ‘Vier:Drei’.

Premiered during his Cercle Odyssey YouTube Live Show, the track captures the essence of Paul Kalbrenner’s signature sound, a refined blend of emotional depth and raw techno power. ‘Vier:Drei’ builds around a hypnotic, driving bassline, while airy, Balearic-tinged percussion and radiant synth layers inject a sense of euphoria.

Tried and tested across his recent global live shows, the track represents a new peak in Kalkbrenner’s constant evolution, balancing meditative introspection with dancefloor impact. With ‘Vier:Drei’, he reaffirms his status as a singular force in electronic music — uncompromising, innovative, and deeply resonant. This release marks not only a key moment in his own artistic journey, but also a landmark for Cercle Records.

Paul Kalkbrenner is a Berlin-born techno producer and live performer, active for over two decades. Emerging from the 1990s underground scene, he stood out early on by performing live sets made entirely of his own productions. His role in the film “Berlin Calling” and its soundtrack, especially ‘Sky & Sand’, marked a turning point in his career. Rejecting the traditional DJ format, he developed a singular relationship with the stage, defined by sonic precision and a strong physical presence. He has released eight albums, building a consistent body of work that blends electronic melancholy with rhythmic intensity.

He has performed on major stages, including Tomorrowland and the official ceremony for the 25th anniversary of the fall of the Berlin Wall. After a period with Columbia Records, he returned to an independent path in 2022. His ‘Back to the Future’ mixtape project revisits his rave roots and reflects his deep connection to techno’s history. Kalkbrenner embodies a personal vision of electronic music — one that bridges collective memory and intimate storytelling.

Fresh off their first solo single ‘cc like that’, the Berlin x London collective return with ‘barry wonder’, a track that sees them step into the spotlight as artists following their success as globally renowned producers.

Born between Berlin and London, musical collective bees & honey continue to build on their genre-fluid catalogue with their latest single, ‘barry wonder’, featuring an anticipated collaboration with afrobeats icon Ruger, boundary-blending artist Daecolm and heralded producer 10.93. Dropping on 17th October, ‘barry wonder’ is set to follow the release of its official music video on 16th October. The slick visual promises to channel the collaborative effort’s true vibrance, filmed in London and features both Ruger and Daecolm.

Defined by a warm and sensual Afrobeats backbone, the collective have layered their signature rich percussion, vibrant textures creating a track that showcases bees & honey’s gift for blending cultures, sounds, and stories.

The single features an abundance of artistic flair and distinctive sounds, from Ruger’s unapologetically authentic persona, 10.93’s multi-instrumentalist expertise alongside Daecolm’s bold and borderless vocals – bees & honey have curated a dream of a link up on this single.

bees & honey are truly border spanning, with roots stretching across Germany, UK, France, Russia, and Jamaica, their artistic output looks to channel the pulse of Berlin’s underground with the soul and rhythm of Africa’s contemporary soundscape.

Before stepping into their own spotlight, the members of bees & honey have shaped global pop and dance music from behind the scenes , producing and writing for Tyla, Ellie Goulding, Craig David, Zara Larsson, Ruger, and Victony; collectively amassing over 6 billion Spotify streams and earning #1 singles across Europe. While their debut single ‘Show Me Love’ with WizTheMc announced their arrival as solo artists, reaching #8 on the Global Billboard Charts and later receiving an official remix from Tyla, solidifying their position as one of the most exciting new collectives redefining new-age sound and culture.

Driven by a mission to cross borders and bend genres, bees & honey are set to continue colliding creatively in a celebration of freedom, community, and rhythm. Their latest sonic triumph on ‘barry wonder’ only marks the beginning of this journey.