London-based Producer & DJ N1NJA (Mobilee, Tales of Twilight…) continues her impressive rise with ‘Umusa’ with South African vocalist Nana Atta, released on Get Physical.

N1NJA & Nana Atta performed Umusa together on Constitution Hill in Johannesburg – the historic site where Nelson Mandela and Mahatma Gandhi were once imprisoned. Two women, performing a song about resilience and transformation, at a place forever marked by struggle and liberation.

Umusa, meaning grace, is the product of a rare moment of universal symbiosis. N1NJA had long admired Nana Atta’s voice, and when Grammy-winning artist Zakes Bantwini introduced them, the chemistry was immediate. They began collaborating remotely, but their bond deepened months later when they finally met in South Africa through N1NJA’s work with IMS and Beatport.

“The moment Nana walked in, there was an instant sense of sisterhood”, N1NJA recalls. “She had just returned from a spiritual mission in her local village, and she radiated a very peaceful yet deeply protective energy.” During that visit, Nana Atta gravitated towards one particular sketch on N1NJA’s laptop, an untitled piece that would later become Umusa.

Press play and the track opens with emotionally charged synth lines, carrying a sense of urgency yet filled with hope. Delicate, shimmering snares dance over the bassline, grounding the emotion as Nana Atta’s unmistakable voice soars in equal parts lament, passion and power.

Exactly one year after the stars first aligned, Umusa arrives as more than a release – it is a message and a testament to resilience, resistance and renewal, landing fresh in the wake of both artists stepping into a new chapter with the launch of their own labels.

Buy & Stream Umusa at getphysicalmusic.lnk.to/GPM901

Featuring evocative Hindi vocals by Eeshita Rathore, Migrant’s final release of the year is an organic, emotionally grounded house cut rooted in love, preservation and a sense of place.

Renowned Indian DJ and electronic music producer Migrant closes out 2025 with “Tarase”, his final single of the year and a deeply personal statement that reflects a more intentional and focused evolution of his sound. Stripped back yet emotionally rich, the track leans into organic groove, subtle propulsion and spacious production, allowing feeling, texture and intention to lead.

Built on warm basslines, ethereal atmospheres and hypnotic rhythmic flow, “Tarase” unfolds patiently. At its core is a captivating vocal performance from acclaimed Indian vocalist Eeshita Rathore, whose Hindi phrases add intimacy and emotional weight. Intermittent male vocal textures from Migrant himself appear throughout the arrangement, enhancing its human quality without overpowering the groove. The track breathes through expansive moments of space before returning to its pulse, mirroring the natural ebb and flow that defines the release.

The title “Tarase” draws meaning from multiple linguistic and cultural interpretations. In Hindi, Taras evokes compassion, longing and emotional sensitivity; elsewhere, the word carries associations with character and spirit depending on context. Rather than a singular definition, “Tarase” represents feeling; something instinctive, unforced and deeply human.

That emotion is also closely tied to a place. “Tarase” comes from Migrant’s love for the Aravalli mountain range in north-western India; its fragile ecology, its people, its art and its centuries-old forts and palaces. To mark the release, Migrant and Eeshita performed the track within the Aravallis, allowing the landscape that inspired the music to become part of its expression. The project reflects a quiet call for preservation – of landscapes, of culture and of shared creative ecosystems.

Speaking about the single, Migrant commented:

“Tarase comes from love. Love for the Aravallis – especially now, when their state is so fragile. Love for its landscape of immense beauty – one we risk harming if we’re not mindful. Love for its art, its people and its heritage. Love for the forts, palaces and the stories they carry. At its core, this project is about preservation – of places, of culture, of each other.”

Throughout 2025, Migrant has explored a wide range of tempos, sounds and emotional palettes; from introspective and meditative to bass-heavy, breaks-driven experimentation. “Tarase” brings those explorations to a close with clarity and intention, marking the beginning of a more defined Migrant identity, where beats, bass and rhythm serve something deeper than the dancefloor alone.

 “Tarase” is available on all major streaming platforms from December 26.

Illyus Barrientos alongside fresh talent Aden Rémei, kick start the year with a certified club weapon.

‘Deep Down’ is a first-class production, guaranteed to set dancefloors a blaze with its raw undiluted energy. Known for his consistency in producing stand out House, hosting Toolroom Radio, and supplying Toolroom with genuine moments like ‘So Serious’, ‘D.A.N.C.E.’, ‘Shout’, and ‘Promise’, Illyus Barrientos return to form with ‘Deep Down’ combining authentic House vocals with trademark hypnotic and infectious grooves.

Music is 4 Lovers releases catchy single from Los Angeles artist, SAAND, featuring three blazing remixes from Luca Saporito of Audiofly, Pezzner & Jon Lee out of Seattle, and NYC-based artist, Saqib.

SAAND – Take Me to the Disco will be released exclusively on Beatport on Friday, December 19, 2025, and then on all remaining platforms on Friday, January 2, 2026.

Tracklisting:
01) SAAND – Take Me to the Disco (Original Mix)
02) SAAND – Take Me to the Disco (Luca Saporito Remix)
03) SAAND – Take Me to the Disco (Pezzner & Jon Lee Remix)
04) SAAND – Take Me to the Disco (Saqib Remix)

Artists: SAAND, Luca Saporito, Pezzner & Jon Lee, Saqib
Title: Take Me to the Disco
Label: Music is 4 Lovers
Catalogue: MI4L120
Release Date: 2026-01-02

– jams
Jimbo James
Editor-in-Chief
jams@musicis4lovers.com

Out now via Embassy One, the Belgian producer delivers an emotive, club-driven reinterpretation of one of the defining tracks from Monolink’s latest album, “The Beauty Of It All”.

Following the critically acclaimed release of Monolink’s third studio album The Beauty Of It All back in September, Embassy One now unveils the latest chapter in the album’s evolution with MAXI MERAKI’s remix of “In My Place”. Putting his own inimitable spin on one of the tracks that helped define the album’s emotional tone and artistic direction, the Belgian producer’s interpretation of “In My Place” builds on the raw, spontaneous spirit of the original while guiding it into deeper, more club-ready territory.

The original track – rooted in an impromptu synth jam between Monolink and producer Toby Siebert – was largely captured in a one-take performance, radiating the unfiltered energy and analog warmth that have become signatures of Monolink’s artistry. Its pulsing rhythms, subdued vocals and warped central riff made it both a listener favourite and a defining moment in the unveiling of The Beauty Of It All.

In his remix, MAXI MERAKI channels that raw essence into a refined, atmospheric journey. With meticulous attention to groove and space, he deepens the track’s emotional pull while expanding its dancefloor potential. Rolling percussion, dynamic bass textures and powerful synths provide a new sense of lift and motion, allowing Monolink’s vocals to breathe within a wider sonic horizon. The result is a remix that feels both intimate and cinematic; faithful to the soul of the original while unmistakably stamped with MERAKI’s signature emotional resonance.

Driven by a desire to connect deeply through sound, MAXI MERAKI has firmly established himself as one of electronic music’s rising forces. His releases on labels including Abracadabra, Monaberry, Get Physical, Ultra Records, Artbat’s Upperground, Rose Avenue, Astralwerks, Radiate and Siamese have earned him chart success and widespread recognition. Supported by industry icons such as Jamie Jones, Keinemusik, Rüfüs Du Sol, Adriatique, Black Coffee, Solomun, &ME and Pete Tong on BBC Radio 1, he continues to shape a global presence through his unique blend of melodic nuance and dancefloor energy.

MERAKI’s remix adds a compelling new dimension to The Beauty Of It All, an album praised for its introspective storytelling, sonic warmth and focus on emotional clarity. By reinterpreting “In My Place,” he extends the album’s world, inviting listeners deeper into its atmosphere while offering a fresh, contemporary angle on one of its most impactful songs.

Monolink – In My Place (MAXI MERAKI Remix) is out now via Embassy One: https://monolink.lnk.to/InMyPlace_MAXIMERAKIRemix

Berlin-based techno duo Pan-Pot close out 2025 with their newest single ‘Phantaxxxy’, released on 18th December via their own imprint HUMAN.

‘Phantaxxxy’ is more than a track – it’s a full-body experience. A study in forbidden stimulation, the record unfolds like an interstellar customs seizure: leather-bound, USB-encoded, and reportedly banned on three moons for being “too suggestive for zero gravity.” Extracted from a bass-driven artificial intelligence that allegedly achieved sentience mid-breakdown in a velvet-draped server room, the track pulses with teasing tension. Slithering synths, hypnotic grooves, and a drop that practically demands a safe word place ‘Phantaxxxy’ somewhere between cosmic kink and dancefloor hypnosis.

Composed of Tassilo Ippenberger and Thomas Benedix, Pan-Pot have spent 2025 expanding their creative universe through HUMAN, a platform that exists as both label and event series. Over the past year, HUMAN has hosted events across the Netherlands, Berlin, New York, Los Angeles, and Chicago, alongside the official Street Parade afterparty in Zurich, which drew over 1.3 million attendees. The release follows a run of standout singles including ‘KALSTROM’, ‘OPERA (Street Parade Anthem)’, ‘Nightcode’, and ‘TDD’.

Launched as a new chapter in Pan-Pot’s evolution, HUMAN bridges raw techno energy with something deeper – emotional, warm, and unapologetically human. The ethos is rooted in connection, pushing past fleeting trends to place feeling back at the center of the dancefloor.

Looking ahead, the duo have announced a special all-night-long ‘Back to the Warehouse’ event on 21st February, echoing the early rave spirit of the 90s with a pounding soundsystem and a full lineup to be revealed (see ticket info here).

Set for release on 18th December ‘Phantaxxxy’ stands as one of the final statements of 2025 on HUMAN – bold, provocative, and unmistakably Pan-Pot.

Follow Pan-Pot:
Instagram | Spotify | SoundCloud

CENKK’s latest release on Moodyverse approaches club music as a question of balance rather than impact. Freaky People and In Rio sit at opposite ends of his current spectrum, connected not by aesthetic similarity but by intent. Both tracks are built with awareness of how sound travels, how tension forms, and how momentum is sustained across different environments.

Freaky People operates through repetition with purpose. Its groove stays locked while details shift gradually, allowing DJs to maintain energy without forcing transitions. The track is less about moments and more about duration, making it effective in longer sets where continuity matters. In Rio, meanwhile, expands the frame. Percussive rhythms and vocal textures inspired by Brazilian traditions intersect with operatic and cinematic elements, creating a track that invites interpretation as much as movement.

What makes the release compelling is its refusal to overstate its ideas. There’s confidence in restraint, and a clear understanding of when to let a track do the work on its own terms. Rather than chasing a specific scene or trend, CENKK focuses on adaptability, crafting music that holds up in clubs, warehouses, and more intimate listening contexts alike.

As a paired release, Freaky People / In Rio highlights an artist refining his approach without narrowing his scope. It’s a reminder that club music can be functional and expressive at the same time, as long as both are treated with intention.

PURCHASE

Fresh off his Solid Grooves smash debut, Patrick Topping marks six months of his summer anthem ‘Want U’ by recruiting breakout duo Murphy’s Law for a blistering new rework. The brothers twist the original into a hazy, heads-down club roller, blending soft neon synth colours, a raspy 90s bassline, and a euphoric vocal glow. Classic piano stabs cut through the mix with razor-sharp precision, pushing the track into full peak-time pandemonium.

“We are really excited to put this remix out for Patty T on his infamous imprint, Trick. We have been fans of his music for the past 10 years, so to be asked to put our spin on his single ‘Want U’ is a huge honour for us. We wanted to take the remix in a completely different direction from the original, and we thought that a moody club roller was the perfect way to go. The first time we ever tested this out was b2b with Patrick in Tenerife, and we knew from that moment on that it had a special spark about it! It’s been doing the business in our sets over the past few months, and we are super happy to finally be able to share it with you all.” – Murphy’s Law

Murphy’s Law – brothers Sonny and Finn Murphy – have cemented themselves as key voices in modern house, thanks to their emotive hooks, infectious grooves, and high-energy sets. In the studio, they’ve racked up millions of streams across releases on Hot Creations, Ministry of Sound, and Deeperfect, along with heavy rotation on BBC Radio 1. Now, the Leicester-born duo cap off a landmark year with their most anticipated moment yet: a speaker-rattling remix of Patrick Topping’s ‘Want U’ for Trick.

Patrick Topping ‘Want U (Murphy’s Remix)’ drops via Trick on 12th December 2025.

Murphy’s Law: Instagram – Soundcloud – Facebook – Spotify
Patrick Topping: Instagram – Soundcloud – Facebook – Spotify

SIX40TWO powers into the end of the year with a club-ready double release: a heavyweight VIP Remix alongside acclaimed dance music titan Deniz Koyu, and an Extended Club Remix built for peak-time floors and late-night euphoria which is out now. 

‘What Would I Do’ has already carved out its place as one of SIX40TWO’s most defining records in his new sonic era – a surging vocal-led anthem fusing John Newman’s unmistakable vocals with the darker, more propulsive production sensibility of his new alias. Now, these two fresh versions reimagine the track entirely: tougher, tighter, and purpose-built for the world’s biggest stages.

A meeting of two master craftsmen at the top of their game. Koyu and SIX40TWO flip the original into a high-voltage weapon. While the Extended Club Remix brings a darker, deeper, and more expansive take – the version DJs will reach for when the night needs lifting into gear. 

SIX40TWO is the new creative chapter from John Newman. A fresh era built entirely on instinct, freedom, and his lifelong connection to dance music. Known globally for his chart-topping hits, billions of streams, and unmistakable voice, John stepped away from the spotlight in 2020 to reset creatively. In that time he rediscovered the foundation of why he started making music in the first place: DJ culture, club energy, and the thrill of producing across the electronic spectrum.

He returned with a new live show, high-powered club records, and a renewed artistic focus, leading him to dominate festival main stages with his electrifying hybrid performances. Now, Newman channels the moodier side of his club influences, blending euphoric dance energy with the gospel, soul, and sampled textures that have always shaped his sound. Unlike his hybrid or live-band shows, SIX40TWO is a pure DJ experience, designed for the rave. Following the debut single “Something In The Water” and a fast-growing schedule of shows across the UK and Europe, SIX40TWO is now emerging as one of dance music’s most exciting new identities. 

Both new versions land Friday 12th December, marking a defining moment in what has already been a breakthrough chapter for SIX40TWO.

Brazilian producer/DJ HeyDoc! is closing out Dirtybird’s 20th anniversary series with his new Da Beat EP. Out now, the quirky two-track EP arrives in the midst of HeyDoc!’s appearances on the Flight Week Brazil Tour.

Hot off his performance in Goiânia, HeyDoc! is keeping the momentum flying on Da Beat. The title track zippers and zooms with hypnotic rhythms and bold sonic accents, while ‘Astro Dance’ takes a deep, groove-driven turn fueling nonstop energy for late nights and dark dancefloors. With its relentless creativity and infectious drive, the EP serves as a thrilling finale to Dirtybird’s 20th anniversary celebrations. Da Beat closes out Dirtybird’s 20th anniversary with playful unpredictability, serving as a fitting finale to the label’s two decades of daring, boundary-pushing sound.

With Flight Week Brazil approaching its final stretch, Dirtybird continues to champion the artists shaping the country’s forward-thinking club scene. Da Beat follows recent releases from Brazilian acts Bruno Furlan, Ribguga, and BadComppany, highlighting how the label’s curation is expanding Brazil’s influence on the global electronic stage. 

HeyDoc! is a Brazilian DJ and producer whose music challenges expectations and sparks curiosity at every curve. Known for his inventive rhythms and keen attention to sonic detail, he approaches production as “medicine for the mind,” translating his unique perspective as a neurodivergent artist on the autism spectrum into immersive, expressive tracks. After first appearing on Birdfeed in 2021 with ‘Netero’, Da Beat marks HeyDoc!’s move to the main label.

Stream HeyDoc!’s new Da Beat EP available now on all platforms and sign up here for the latest updates on Dirtybird releases, events, merch, and more.